The Old Man and the Sea - Revision history

Ome: Fixing map display - removed openLayer configs

2023-12-22T16:53:20Z

Fixing map display - removed openLayer configs

Pam: /* APARTMENT COMPLEX, MAARDU, TALLINN, ESTONIA */

2015-11-30T17:59:13Z

APARTMENT COMPLEX, MAARDU, TALLINN, ESTONIA

Pam: /* APARTMENT COMPLEX, MAARDU, TALLINN, ESTONIA */

2015-11-30T17:58:47Z

APARTMENT COMPLEX, MAARDU, TALLINN, ESTONIA

Pam at 22:32, 29 November 2015

2015-11-29T22:32:29Z

Pam at 21:54, 24 November 2015

2015-11-24T21:54:10Z

Pam: /* APARTMENT COMPLEX, MAARDU, TALLINN, ESTONIA */

2015-11-24T19:48:10Z

APARTMENT COMPLEX, MAARDU, TALLINN, ESTONIA

Pam: /* APARTMENT COMPLEX, MAARDU, TALLINN, ESTONIA */

2015-11-24T19:47:39Z

APARTMENT COMPLEX, MAARDU, TALLINN, ESTONIA

Pam at 22:57, 30 March 2015

2015-03-30T22:57:10Z

Pam: Pam moved page S1E07 to The Old Man and the Sea without leaving a redirect

2015-03-30T22:35:44Z

Pam moved page S1E07 to The Old Man and the Sea without leaving a redirect

Pam at 22:16, 30 March 2015

2015-03-30T22:16:44Z

@@ Line 11: / Line 11: @@
 {{
 #display_map:60.1695273, 24.8302406; 59.47633, 25.01550
 |zoom=6
 }}

@@ Line 23: / Line 23: @@
 ====APARTMENT COMPLEX, MAARDU, TALLINN, ESTONIA====
-[[File:HousingProjectTallinn.jpg|thumb|480px|right Tallinn Soviet era housing]]
+[[File:HousingProjectTallinn.jpg|thumb|480px|right|Tallinn Soviet era housing]]
 -You have those in China, right?

← Older revision		Revision as of 17:58, 30 November 2015
Line 22:		Line 22:

	====APARTMENT COMPLEX, MAARDU, TALLINN, ESTONIA====		====APARTMENT COMPLEX, MAARDU, TALLINN, ESTONIA====
		+
		+	[[File:HousingProjectTallinn.jpg\|thumb\|480px\|right Tallinn Soviet era housing]]

	-You have those in China, right?		-You have those in China, right?

@@ Line 127: / Line 127: @@
 [[Category:Episodes]]
-[[Category:The Venetian Cell|1.007]]
+[[Category:The Passengers|1.007]]
 [[Category:Follow the Money|1.007]]
 [[Category:The Age of Nujood (2010- )]]

← Older revision		Revision as of 21:54, 24 November 2015
Line 117:		Line 117:
	The couple strolls into the Estonian night.		The couple strolls into the Estonian night.

		+	****

		+	''Back from Estonia, Jouni and John go separate ways as John is due back in Beijing to follow up on the Vegas/Valley mission.

		+	''Staying behind, Jouni follow her mothers/grand-mother's trail across the Baltic until she's called back to the Pentagon to get instructions for her new mission: China.

@@ Line 27: / Line 27: @@
 Asks Jouni as both John and herself walk along rows of eight storey buildings.
--In Mainland, yes, but not really in Taiwan.
+-In Mainland yes but not really in Taiwan.
 -Right.

@@ Line 5: / Line 5: @@
 ''Trying to dig into her past, Jouni hears about the legend of a U-boat that disappeared at the bottom of the Baltic Sea  carrying a loads of German gold bars on board. The legend comes from a now deceased drunken Estonian fishing trawler Captain who used to tell a tale to bar acquaintances in Sompasaari after the war. He was claiming to have sold stolen Russian diesel to a drifting German U-Boat at the end of the war and of having been paid in gold bars.
-'' John and Jouni take a helicopter ride to Tallinn where they track a surviving crewmen of the Estonian trawler who claims to having been shown a gold bar bearing an engraved Swastika. The fisherman, now in his 80s, also mentioned that a woman and her infant were on board.
+'' John and Jouni take a helicopter ride to Tallinn where they track a surviving crewmen of the Estonian trawler who claims to having been shown a gold bar bearing an engraved Swastika. The fisherman, now in his 80s, confirms that a woman and her infant were on board.
 [[Hangar One|<< PREVIOUS EPISODE]]  -  [[CCTV|NEXT EPISODE >>]]

← Older revision	Revision as of 22:35, 30 March 2015
(No difference)

@@ Line 41: / Line 41: @@
 ====CORRIDOR, APARTMENT BUILDING, MAARDU, TALLINN====
-John and Jouni look at name plates in [http://en.wikipedia.org/wiki/Cyrillic_script Cyrillic] as they reach the third floor of the apartment building. Buzzing "Made in USSR" T12 fluorescent tubes give to the corridor an eery atmosphere. Jouni, on a [http://en.wikipedia.org/wiki/Matrilineality matrilineal] quest, wonders what is it that she shares with this man, so far from her culture, whatever culture she clings to. A young girl runs past them and reaches the last door. She knocks frantically as her bodily language show an urgent need to pee. A woman opens the door and wonders who are those two strangers behind her daughter who just disappeared from under her arm.
+John and Jouni look at name plates in [http://en.wikipedia.org/wiki/Cyrillic_script Cyrillic] as they reach the third floor of the apartment building. Buzzing "Made in USSR" T12 fluorescent tubes give to the corridor an eery atmosphere. Jouni, on a [http://en.wikipedia.org/wiki/Matrilineality matrilineal] quest, wonders what is it that she shares with this man, so far from her culture, whatever culture she clings to. A young girl runs past them and reaches the last door. She knocks frantically as her bodily language shows an urgent need to pee. A woman opens the door and wonders who are those two strangers standing behind her daughter who disappears under her arm.
-Jouni smiles and salutes her using one of the few Finnish expressions she knows, "hei", hoping that this Estonian woman will appreciate the gesture and understand the English which will inevitably follow.
+Jouni smiles and salutes the woman using one of the few Finnish expressions she knows, "hei", hoping that this Estonian woman will appreciate the gesture and understand the English which will inevitably follow.
 -Hi my name is Jouni Wilson. We are looking for Mr. Laja, Erik Laja.
-The woman looks at Jouni, then at John, then at Jouni again and answers in Estonian and then in Russian. Jouni is speechless.
+The woman looks at Jouni, then at John, then at Jouni again and answers in Estonian then in Russian. Jouni smiles and remains speechless for a moment.
 -Erik Laja, we're looking for Mr. Erik Laja, an elderly man.
@@ Line 61: / Line 61: @@
 Both the woman and Jouni look at John in disbelief. The woman answers.
--You mean Vanaisa. My husband's father. What do you want from him?
+-You mean Vanaisa? My husband's father. What do you want from him?
-She looks at Jouni wondering if she could be an illegitimate daughter. John continues.
+She looks at Jouni as if she was wondering if she could be an illegitimate daughter. John continues.
--We have reasons to believe that Mr. Laja might have been on board with my friend's mother and grandmother during the last days of the war.
+-We have reasons to believe that Mr. Laja might have been on board a ship along with my friend's mother and grandmother during the last days of the war.
 -What war? asks the woman.
@@ Line 85: / Line 85: @@
 -Is Mr. Erik Laja still alive?
--Yes, he's in his room. Come in. Why would I care, who would want to talk to him.
+-Yes, he's in his room. Come in. Why would I care, who would want to talk to him anyways.